It all started with the fish when the innovative shapers and board builders out there decided to revisit the past for some inspiration. In doing so they brought back some lost skills such as resin tints and hand foiled fins.The Fish Fry has been a place for these fine craftsmen to showcase their skills. We have seen some amazing boards as shapers have pushed the boundaries over the last few years. As this new look at the fish has evolved to its many forms, it has influenced other shapes and designs along the way.This has spawned a renewed interest in other board forms by this same group and a wider following.Notably the Mini Simmons, Hulls, old school Logs and Pigs. It is pleasing to note that there are an increasing number of people building their own boards as well.All of this is to be applauded and celebrated as a positive for surfing.So it is only natural that these shapers and board builders continue to share their skills with us and include these other shapes at the Fish Fry.It has truly become a melting pot of ideas for like minded people.

Endless Winter


A surfer’s reflections on a winter spent in the Norwegian Arctic

By Seamus Ryder

It was a long, dark winter. The fall, as harsh and challenging as it seemed at the time, was remembered longingly as being warm, bright and full of cheerful optimism.  No one really knew when autumn ended - I seemed to blink my eyes sometime in October, and suddenly the snow had climbed down the final divide from between the mountains and the coast to cover everything in sight. Back then, we had raced to the sea in the morning to meet the rising sun. In winter, you could sleep in until noon and still wake in time to see the sunrise – alarms were set to ensure you didn’t miss the sunset.


As winter set in, three hour drives between fjords and mountain passes became five hour drives through white-out (and white-knuckle) conditions. We set out on 10 hour return trips for one hour of surfing in dim, blue, light. Divine intervention was required to line up the right combination of wind, swell, and coastal access during the ever-vanishing window of daylight. On average, after the summer solstice (June 21st), each day was 10 minutes shorter than the last. In winter, the days bleed daylight at an even greater rate – Tuesday might be close to 20 minutes shorter than the preceding Monday. Of course, November eventually came along and then, one day, the sun simply refused to rise. That’s when things got really interesting.

Nothing can really prepare you for the Polar Night. Ask the locals about it and suddenly they look at you with pity and compassion - like the look a parent gives a young child when they tell them their dog “has gone to live on a farm”. As the darkness approached, I was about as a naïve as a child too. I kept telling myself it was nothing I couldn’t handle, with years of Canadian winters under my belt and a mind that had proved itself fairly resilient to other stressors in the past. I even maintained a strict regimen of fish oil, as the Norwegians are apt to do, to ensure my daily dose of Vitamin D, something I once took for granted when living beneath the Australian sun. All the fish oil in the sea couldn’t save me. None of it really made a difference.  

I equate my experience with the Polar Night with somewhat of a mild depression. In fact, it’s a diagnosed medical phenomenon that befalls many inexperienced residents of the High North, sometimes referred to as Seasonal Acute Depression (SAD). The monotony of days without day but only perpetual night takes its toll. You lose motivation to do anything but the bare minimum. A constant fatigue engulfs you, yet night-time (the true hours of night during which you would regularly sleep, as distinguished from all the other hours of darkness) brings nothing but restlessness and disturbing dreams. Even if it were somehow possible to surf amidst the fierce winter snows and winds and the impenetrably black abyss of the Arctic winter, I doubt I could have.  I began to lose hope, and at times, I thought I was losing my mind.

Yet, even in darkness, there was light. At the lowest point of my slow descent into the despair brought on by the Arctic winter, the heavens themselves opened up and saved me. The Aurora Borealis (aka Northern Lights, Polar Lights) is one of the greatest mysteries known to man. While scientific and technological advancements continue to attempt to explain the spectacle as a product of solar radiation and reactive gases in our planet’s atmosphere, they’ll never be able to explain its otherworldly power to affect those who witness it. There are records of its strange powers throughout history – references found in the logs and journals of Arctic explorers, fables and legends devoted to it in the oral traditions of the Arctic indigenous peoples.  The Inuit believe that the spirits of our ancestors can be seen dancing in the lights, and I experienced a feeling of solemn celebration at the sight and could almost hear their whispers. To me, the Aurora was a display of the supernatural and yet it induced a very human response. To witness them gave me a sense of my place in the world, the universe and human history at that precise moment in time. Despite the dark of night, I found my way gazing up at the cosmic dance above.

Another good thing came out of the darkness - a brotherhood was formed. I was not alone in the Polar Night. After all, everyone living at my latitude was united in sharing the experience, for better or worse.  With surfing efforts confounded by the pitch dark of winter snows, my surfing companions became my drinking companions. Claes (a Swede who decided one day, at age 42, to become a nurse, buy a van, move to the Norwegian Arctic, and learn to surf), Leon (Claes’ Swedish housemate), Victor (a heavily mustachioed, Ecuadorian photographer), and I substituted the hours previously spent scouring the coast for waves with hanging out in dimly lit kitchens, drinking over-priced rum, slowly getting fat and whiling away the winter.  Surfing had brought us together, but the Polar Night made us friends.

After five long weeks of perpetual darkness, the sun finally rose for the first time sometime in January. Granted, it was a gradual and slow progression back to daylight (first, the return of dim, blue light for a few hours a day, then 45 minutes of true daylight, and eventually, longer days), but nonetheless a contagious joy spread throughout the North. Suddenly, there was hope for surf again. The 5-hour drives through treacherous conditions remained intact, but at least there was daylight waiting for us at the sea. Before, we may have shivered and grimaced at the frigid, wintered Norwegian Sea before us, but now we dove in with the same zeal with which you would approach a tropical beach break. The snow, wind, stormy surf and sub-zero temperatures all seemed manageable – there was light once again!

The Polar Night had also groomed the fjords. Coastal access can be problematic in such a sparsely developed place as the High North. In fall, we would discover promising fjords with no roads, and so, we’d have to trudge for hours along the shoreline only to find a set-up with promise but the wrong set of conditions. Now, after weeks of snow and darkness that kept us away, we returned to find the whole coastline had essentially become one immense ski trail.  With surfboards in tow, we strapped on our cross country skis and made quick work of waist deep snow. Warmed up and heart beating fast from the ski in, we hastily stripped down and suited up in our thick winter wetsuits as the snow continued to fall and swapped skis for surfboards. Changing out of our wetsuits into ski-gear post-surf was less enjoyable, but the ski back to the van usually warmed us up again. In this way we made the most of our Arctic lot.
  In March, some academic research in the law of the sea brought me to Svalbard, an archipelago in the Arctic Ocean and the wildest place I have experienced on Earth.  Svalbard was long regarded as a true terra nullius for most of its history. It was used by Europeans for whaling in the 17th and 18th centuries until they exhausted virtually all the whales. Accordingly, use shifted to hunting, until that too dwindled with the near exhaustion of walrus, arctic fox and the iconic polar bear. In the early 20th century, the prospect of coal mining required the ambiguous ownership of the territory be resolved to facilitate better regulation. Ultimately, the Svalbard Treaty was made and recognized Norwegian sovereignty over the territory subject to unique rights of equal access for resource exploitation by all contracting parties. Today, coal mining is following the way of whaling and hunting and has seen a great downturn in production. But just like the rest of Svalbard’s history, as one resource is exhausted another is pursued. In this present era the combination of climate change and technological advancements is opening up the possibility of lucrative fishing opportunities and oil and gas production in the maritime zones that surround the archipelago.  Significant uncertainty exists in determining the legal regime that will govern these opportunities, as some States argue the --> aging Svalbard Treaty entitles them to certain rights to undertake resource exploitation while others argue the Svalbard Treaty is trumped by the modern international law of the sea. The purpose of my visit was to explore these issues in detail

Svalbard’s name, translated literally, means “cold shores”, and it is an accurate title. The temperature hovered around a balmy -20 degrees Celsius for the duration of my visit, but the days were sunny, with minimal wind. The hardy locals assured me this was unusually warm weather for the time of year and pointed out that the harbor was ice-free earlier in the year than ever before. Climate change is an inescapable reality in this part of the world. All around there are signs of its effects, from the ice-free harbours that shouldn’t be to unseasonable temperatures. There is some cruel irony in the fact that hunting activities that brought wildlife in the area to near collapse were replaced by coal mining. As hunters traded in guns for shovels and picks populations were able to recover, but the same mining has played a role in the production of fossil fuel and greenhouse gas which is drives global warming, which may prove a much bigger threat. Thanks in part to an increased interest in eco-tourism and related conservation efforts; the polar bear has been able to avoid collapse. Today, it is estimated that some 5000 polar bears outnumber the 3000 human residents of Svalbard. That news left me very uneasy on a dogsled tour far from the relative safety of the population centre, but it is good news for the bears. Still, many wonder whether it will be enough to secure the future of the polar bear, and other Arctic wildlife, in the face of accelerated and unprecedented changes to their climate and habitat.

When I reflect back on these experiences and my first winter in the Arctic, I realize the importance of adaptability. Whether it’s personal adaptation to the Polar Night, or adapting to winter surfing in the Arctic by donning thick wetsuits and cross-country skis, the key to success often comes down to the ability to make adjustments and work with the conditions and resources on hand. This remains true on a much larger scale. The case of Svalbard illustrates that climate change and globalization are fundamentally transforming the strategic and economic position of the Arctic. Retreating sea ice allows access to vast commercial opportunities, such as the development of offshore oil and gas reserves and large-scale industrial fisheries. Successful regulation of these emerging opportunities depends on the adaptability of legal regimes to reflect changing environmental values and evolving knowledge of the fragile Arctic ecosystem. Ultimately, the continued success of our Arctic will depend on its ability to adapt to climate change and increased human activity and use. To conclude on a positive note, if my winter in the Arctic taught me anything, it was that the ability of human beings to adapt is astonishing. When we have a goal in mind and are confronted by change, whether it’s surfing in the middle of Arctic winter or protecting the Arctic environment from climate change, chances are we can find a way to do it.

Seamus Ryder has found waves in unlikely places since the day he started surfing. Born and raised outside of Toronto, his first surf was on Lake Ontario, one of Canada’s Great Lakes. The stoke he discovered surfing freshwater wind-slop informed his decision to attend university in Halifax, Nova Scotia where he spent 4 years scouring the many points, bays, and harbours of the Canadian Maritimes. After obtaining his undergraduate degree in the broad and vague field of “management” he did a brief stint as a professional sailing coach in the Caribbean, and an even briefer stint as a garbage man back in Canada. In 2011 he moved to the Gold Coast of Australia to attend law school. There, he obtained casual employment at a busy, family-owned bakery and the Patagonia Burleigh Heads shop. Since September, he has been living in the Norwegian Arctic, where he is studying a Master of Laws in the Law of the Sea at the University of Tromsø, the world’s northernmost university.
ALL PHOTOS BY VICTOR POLIT    

ryder.seamus@gmail.com

I met Seamus at the Patagonia store at Burleigh. A very interesting guy who loved the outdoors and surfing.It has been great to hear his story and share this with you.



Let that fin be free

Eden Saul from Dead Kooks Surfboards letting it all hang out at Byron Bay.

All sorts of craft in Byron

 Finless Rabbit's Foot Spinners and flyers care of a Ryan Lovelace visit

 Not guys with broken boards , just grinners and spinners
 Funky finless number


Jaco's Simmons

Jaco van Rensburg lives in Cape Town South Africa. This is his story ... " I am the biggest Bob Simmons fan there is. Been shaping my own Mini Simmons for almost 2 years. Actually a carpenter by trade. Shaping just kind of happened !

In SA there are pretty much no Simmons available , hence I started shaping my own boards !
It is so strange to me that no one are interested, but I actually like the way people react on seeing my boards.

My favourite story is the day I paddled out in solid 8ft left point break surf, on my 5'3 x 23 x 2 '5 "The Bob" Mini Simmons . It has Rasta Keels from future's on. (Love those fins ) Well needles to say even I was sceptic as to how the board would go, my first big swell on The Bob ! Most guys were on 7ft + boards ! The Bob was awesome and I was blown away at how well the board Handel the power of the big swell. Let me just add I am 6'2 tall and 85kg !

Been shaping quite a few and am only surfing Simmons boards. Also got some Quads in the mix ! Have done some in Epoxy and normal PU foam. My best friend has a factory were he manufactures Kite boards , Sups etc. So I have the use of his shaping bays after hours. He also does my glassing , he has full time glassers in factory.
Well that's my story in a nutshell. I have basically learnt all my Simmons knowledge off the internet, in SA nobody really knows of him."

These are a couple of his boards that he sent to share.
" The first two boards : "The Bob"  5'3 x 23 x 2,5 - It has Rasta Keels
from Futures. This is my favourite board , i surf it in 2ft-10ft. It
blows my mind that it can work in such diverse swell size, but it
does! That is the amazing thing about the Simmons design, just love it !"
" The second board is "The Yoda" 4ft x 23 x 3 - It has K1 / K2 Keels
from Futures. This is actually my version of the " Bing Speed Square"
and yes it is like a bodyboard with fins. A friend of mine rips on it.
I have surfed it ,but my 6'2 frame makes take offs hard ! I want to
shape a 4'6 ft just to counter the pivot point on take offs. Lots of
fun !"
" The Quad I call "The Moonbeam" 5'5 x 22 x 3 -  It has Controller fins
from Futures. This board I shaped for small / flat days. I kept a lot
of volume for extra floatation , put some concave in the nose into
flat middle and double concave at the fins and flat in the tail. It works
great even in bigger flat waves. I left the rails thick and boxy with
an Alaia type rail in the last 12 inch."
"I am all about trying new and different things. My one friend always tells me why don't you just shape normal boards .( He is a well respected Shaper ) My answer to him is, then I can just go buy one in the shop , why bother shaping !

To me its about having the most fun riding waves. I will never win any contest but no one is having more fun than me! Whether i am on a 14ft Sup riding ocean swells or on my Log noseriding 2ft waves or surfing perfection on my Simmons style boards, if it brings a smile I am happy. "






Carbon Flyer

 A great little Paipo / Knee Board from Al Bruce 5ft 4" x 22" x 2 1/2"


Good inspiration for a smaller fun board

The long wall of Kirra

Local shaper and surfer Sam Yoon enjoying Kirra the only way he knows how on one of his own boards. He just spent 6 + weeks in Hawaii with his wife and 2 kids over Christmas getting in the groove.
A quote from Rich Pavel...

"The Greenroom Lives"
The Greenroom Lives  in the Hearts of those who go
For they Know with the power of Soul....
 Flying Soul Dancer Streaks the Liquid Stage..
 Well composed. Who gets credit,,,, Beautiful Image, Thanks for sharing Grant..
Go Sammy Go !

Ryan Lovelace movie " Almost cut my hair"


Almost Cut My Hair - Official from Ryan Lovelace on Vimeo.

Almost Cut My Hair is a zero budget surf film containing approximately 96% pure surfing coupled with an original sound track worth listening to...The only catch is that everyone involved is riding a surfboard that I built. If you can get past that last bit, I think you'll get a pretty killer show.
What I've attempted to create is my ultimate surf movie; one that I want to watch over and over and over. One that reignites a culture in surfing based on fun, experimentation, hand-built surfboards and an stripped down, open minded approach. Santa Barbara breeds a unique type of surf existence; one soaked in individuality, innovation and the ever important ideal of quality over quantity.
The film features an extremely diverse quiver of contemporary surfboards from single-fin mid lengths to high performance fish variations, 5' nuggets all the way to the finless freedom of the RabbitsFoot experiment.
Containing the imagery, musical and/or surfical talents of: Travers Adler, Trevor Gordon, Michael Kew, Landon Smith, Will Adler, Morgan Maassen, Ryan Burch, Troy Mothershead, Ryan Lovelace, Ari Browne, Johnny McCann, Phil Browne, Joseph Horswell, Washmen and the Fisher, Simon Murdoch, Charlie Parr, Connor Lyon and piles more...
Music here by Landon Smith - Sliding

Terry Martin to be honoured

TERRY MARTIN TO BE HONORED BY THE BOARDROOM
Beautiful human being and legendary craftsman Terry Martin to be honored during the Icons of Foam Tribute to the Masters Shape-off.

San Clemente, California) Last year, sadly, the surfboard world lost iconic craftsman Terry Martin. In a special memorial shaping tribute this July, The Boardroom at the US Open of Surfing will honor Martin during the Icons of Foam Tribute to the Masters Shape-off presented by US Blanks. Five shapers will receive the honor of replicating a classic Terry Martin surfboard.

“Last year was tough. We lost a truly humble, beautiful, classy and beloved father, shaper and surfer,” said Scott Bass, founder and show director of The Boardroom. “The grieving has mostly passed, and it is a fine time to honor Terry Martin’s shaping legacy and exalt his surfboard craftsmanship during the Icons of Foam Tribute to the Masters.”

Terry Martin, described by many as ‘The Machine’ because of his effortless and efficient shaping style, spent the majority of his 60-year shaping career working at the Hobie Surfboards factory. He averaged ten boards a day and surfed during lunch.

Martin helped to create signature models for legendary surfers including Corky Carroll, Gerry Lopez, and Wayne "Rabbit" Bartholomew. Mickey Munoz, a legendary shaper in his own right, described the big, bearded Martin as “giving, ethical, knowledgeable, passionate about shaping and surfing and the art of shaping; a friend, a real friend, a good friend; a brother. He was almost like a saint, if you will, just his consciousness and his demeanor."

“Terry Martin took great joy in walking the aisles of past Boardroom shows greeting his friends and fellow craftsmen and talking story. He was always particularly interested in the Icons of Foam Tributes and loved to study the techniques of his fellow shapers. I think Terry might have had a hard time being featured in this way had he been able to attend the event… but to honor Terry and his talents as a shaper in this way is a wonderful tribute to this great man and iconic shaper” said Royce Cansler on behalf of the Martin family.

"Each year at the Icons of Foam Tribute, US Blanks is in awe of the talent level and inspirational shaping that takes place," said Jeff Holtby of US Blanks. "This years' lineup of shapers honoring Terry is jaw-dropping. We are again stoked to be a part of this special event."

For more information and announcements, stay tuned to boardroomshow.com. For information on exhibiting at The Boardroom at the US Open, contact Scott Bass at sbass@boardroomshow.com or Nikki Houston at nhouston@boardroomshow.com.







Recycle that board

James Samaha from Little River SC has just recycled 2 boards now and made one into a mini simmons and the other into a Bantam Fish.

 Strip the old glass and set to work on a make over
A snapped longboard gets a new life with a little shaping and new fin placement. Cool.

Check out his blog at : http://jamessamaha.blogspot.com.au

Finless by Corey

A new finless board by young local hand shaper Corey Munn. Influenced by the Rabbits Foot no doubt . But a great looking board with its own character. Can't wait to see Corey on the slide and glide on this one. I surfed with a couple of guys down in Byron one time that were both on Ryan Lovelace Rabbits Foots and it was amazing to watch what they could do.

Noosa Festival 2013

Noosa marks the seventh event in the Joel Tudor Duct Tape series, with each stop taking place at famous global surf spots. Quintal won the inaugural contest at the 2010 East Coast Surfing Championships in Virginia Beach, followed by another win in late fall wavesin Montauk, New York’s Ditch Plains. Three Duct Tape contests were held in 2011 with Knost winning at Steamer Lane in Santa Cruz, Warren taking out the title at the Salinas Longboard Festival in Spain and Knost again pacing thefield at Surfrider Beach in Malibu later that year. Closing out the summer in 2012, Australian Harrison Roach took first in the latest competition held in Biarritz, France. Contest Invitees Included: Harrison Roach, Alex Knost, Robbie Kegel, Tyler Warren, Alex Bullpit, James Parry, Dane Peterson, Justin Quintal, ZyeNorris, Jared Mell, Matty Chojnacki, Jai Lee, Thomas Bexon, Matt Cuddihy, Troy Elmore and local wildcard Nic Jones.